Tuesday, July 16, 2024

Paul Rahilly 1933 - 2024 RIP

Oil self-portait of Paul Rahilly

Paul Rahilly, artist, teacher and good friend to many aspiring artists in the Boston area, died yesterday, July 15, 2024. He was one the few keeping the flame of figurative art alive during the late 20th century, and taught several generations of students the figure drawing and painting skills to build their own styles and approaches. I first encountered him at a life drawing class at Mass Art night school in the early 80's, and immediately realized that he was offering the knowledge and attitude to art that I had been seeking. It could be summarized as a method for identifying the intuitive, gestural sense of a pose and relating it to an armature, a "system of lines," that made it possible to record the essentials with verve and accuracy without wasting energy on aimless scribbling or getting bogged down in compulsive recording of detail. I went on to take his classes repeatedly, and with a few fellow recidivists established a painting group (the "Rahilloids") to continue to develop our skills with this knowledge. He became a good friend to all of us, and his influence is present with me to this day, as are the close friendships I found in his classes.


Oil painting by Paul Rahilly of studio with easel, unfinished painting,  female model with patterned sheet over head and palette table

Oil painting by Paul Rahilly of female model wearing green turban, black camisole and striped cloth wrapped around waist seated on couch with various objects including Pepsi can, studio spotlight with reflector, and bicycle handlebars


Sunday, July 14, 2024

Etching of three women on a porch, representing three generations. The daughter looks into the picture, across a valley with an old brick mill town with a Florentine tower. In the distance a thunder cloud looms. The mother is busy hanging a sheet on a clothes line, her gaze directed across the picture. The grandmother looks out of the picture, meeting our eyes with a quizzical expression.

 Three Women

etching

8 5/8" x 10"

Loosely based on my painting of the same name.

I fixed a few things that bothered me, mostly places where the the lines were either etched too deep or had run together to create blotches. The grandmother's right eye is probably the most noticeable example.

The way I made the corrections is something I hit on myself. They were too deep to scrape and burnish in the traditional manner, so I carefully applied epoxy to the offending lines, let it harden, and then sanded it down and burnished the area. Seems to work pretty well. I don't know if other etchers do something like this.