Friday, May 8, 2026

CerviCarneTable

 I often start a sketch in the wild by using sight sizing directly on the page to do the initial layout. I hold up the sketchbook to the scene and make little tick marks at the top and side to mark the coordinates of the big shapes and salient landmarks, then map them onto the the page.

Accuracy depends on keeping the distance between the eye and the drawing surface constant, and keeping the vertical and horizontal orientation plumb and level. I usually do this by the seat of my pants, but the complexity of that Mr. Cone sketch made me want to add some controls.

Open sketchbook mounted on hardboard backing with holes to attach a neck strap

This is what I came up with - a backing to mount the sketchbook on, made out of three small hardboard pieces Velcroed together.


Hardboard pieces and strap folded into compact stack for transport

It can broken down and carried easily.


Man drawing in sketchbook attached to strap around his neck

It is attached an adjustable strap around my neck.

"PlumBobby" Two bobby pins suspended from the handles of a binder clip attached to the side of the hardboard backing, and straddling a paper clip so that tiltingthe hardboard out of plumb will cause the bobby pins to hit the paperclip.

PlumBobby is a simple inclinometer made of two bobby pins suspended from a binder clip and straddling a paper clip. If the sketchbook tilts out of the vertical plane, one of the bobby pins will rattle against the paper clip to alert me.


Very rough pencil sketch of shed next to tree with a small bird house.

Somewhat cleaned up pencil sketch of shed and birdhouse

A sketch I started to test it out, and the same sketch cleaned up a bit. I wanted to get the proportions of the shed as well as its relationship to the little birdhouse on the left. 

Photo of shed

This photo has more pronounced linear perspective than the sketch. I think that the mindset of mapping things onto the picture plane caused me to overlook the perspective, so that's just something to keep in mind.

I didn't even consider this when doing the original design, but it turns out to be easy to change to portrait orientation by simply rotating the middle panel 90˚ and adding a couple binder clips.


Open sketchbook mounted on hardboard backing in portrait orientation showing sketch of maple tree

A quick test sketching a maple tree and front and back view of the whole assembly.

All in all, it worked pretty well. I think its utility merits a place in the sketching kit.
No project is complete with out a cute name. My current candidate is "CerviCarneTable," a portmanteau of cervical + carnet + table.


Monday, May 4, 2026

Mr. Cone

 Mr. Cone, Chicopee, MA

Watercolor sketch of Mr.Cone soft-serve ice cream place with overhead sign featuring swirly lettering.


It was fun standing across the road sketching this iconic soft serve ice cream place, watching the customers come and go, and getting the beginnings of a summer vibe.

Bit of an homage to James Gurney and his eye for signage.

Saturday, May 2, 2026

Forest Path

 Revisited this forest path.

Pen and ink sketch of path leading into forested area. next to the path is a large dark mound of discarded brush and other junk.

It seems to be associated with some sort of construction or landscaping enterprise - whenever I visit, there is a different pile of refuse or building materials dumped back there.

Friday, April 24, 2026

Mansard House

 I hadn't gotten to do any outdoor sketching for a while, so it was fun to revisit the spooky old house next door to the dentist's office (they send you there if you don't floss).

watercolor sketch of spooky old house with mansard roof and veranda



Watercolor

Monday, April 6, 2026

9th Building Bridges annual showcase

 Clothesline will have a one day appearance at the 9th Building Bridges annual showcase on Tuesday April 7 at the UMass Amherst Ralph W. Bromery Center for the Arts.

Oil painting  clothesline consisting of two ropes between T-shaped support posts, with large tree and distant ocean on background. The late afternoon light casts a golden aura on the scene, creating a strong value contrast between the light and shadow


The Showcase Event is an annual gathering where UMass staff and their creative talents take center stage. This year, the showcase features work from over 70 worker artists across campus. The showcase—curated and installed by participants in the Showcasing Worker Artists class, a core Building Bridges offering through the Partnership for Worker Education—will be on view from 12-7pm, with catered receptions at 12:30pm and 4:30pm and artist demonstrations and workshops scheduled throughout the afternoon. There will be various performances by the UMass worker artists including music and poetry. The event is free and open to the public. A full schedule will be found on the PWE Building Bridges Website closer to the day.

Saturday, March 21, 2026

Monson Art Council Spring Art Exhibition & Sale.






Swirling snowflakes and snow covered branches create a counterpoint of line, texture, and motion.

 "Winter Fugue" and 


Pastel painting of mother applying sunscreen to little daughter's nose. Behind them, a very large wave is breaking


"Sunscreen" 

have been accepted at the upcoming Monson Art Council Spring Art Exhibition & Sale.

The House of Art,

200 Main St

Monson, MA

April 11 - 26,

Saturdays & Sundays 12:00 - 5:00

Opening Reception April 11 12:00 - 5:00

Tuesday, March 17, 2026

Zoe in 5th Annual Celebrating the Figure show

 

Ink and white gouache drawing on toned paper of nude woman reclining on couch with her arm behind her head


Zoe will be included in the upcoming 5th Annual Celebrating the Figure show at Artworks Gallery in Ware, MA.

ArtWorks Gallery
60 Main St.
Ware, MA 01082

April 11th to May 9th, 2026

Saturdays & Sundays 1 to 4 pm

Opening Reception  Saturday, April 11th 3 to 5 pm